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Jazz per un massacro | Jazz for a Massacre

Leonardo Carrano, Giuseppe Spina
Italia | 2014 | 15’20’’

Jazz per un massacro is a tribute to the artist and experimental filmmaker Nato Frascà, inventor of the “doodling method”, a form of free expression through which to probe the unconscious. Ideally applying this method, the film turns out to be a pictorialmusical jam session, in which Marco Colonna’s jazz improvisation marries the abstractions created directly on film by Leonardo Carrano and edited by Giuseppe Spina. 20,000 painted, engraved and acid-etched frames involve in a phantasmagorical chromatic dance.

Direction: Leonardo Carrano, Giuseppe Spina
Animation: Leonardo Carrano
Cinematography: Leonardo Carrano
Editing: Giuseppe Spina
Music: Marco Colonna
Producer: Leonardo Carrano

Leonardo Carrano

Born in Rome in 1958. Firstly painter and graphic designer, he received the Lubiam award in 1980 by Renato Guttuso. Since 1992 he has been involved in experimental animated cinema, and his works were soon noticed by critics and by important festivals like Venice, Rome, Locarno, Montreal, Paris, Berlin. He worked with animation and set designs for Italian TV, both in RAI (Blob) and Fininvest (L’angelo). In 2025 Freelm, co-directed by Alain Parroni, won the European Cinematography Award for best experimental film. Carrying out his works Carrano has collaborated with well-known composers such as Sylvano Bussotti, Giorgio Battistelli, Ennio and Andrea Morricone, Marco Colonna, Massimo Carrano, Antonello Salis, Sandro Satta, Mark Dresser, Giovanni Sollima, Fabrizio Volpi.

Giuseppe Spina

Filmmaker and co-founder of Nomadica, a “thing” that intertwines in various ways cinema, thoughts, arts, sciences, and projections of all kinds, from all places, from all times. He has curated in-depth studies of authors such as Franco Piavoli and Pedro Costa. He has always collaborated in various capacities with filmmakers, musicians, journalists, artists of all kinds. He is a professor at the Academy of Fine Arts in Syracuse and has worked at the Academies of Bologna and Brescia.